From Heaven's joys to arena's sands

Por Dominic Lowe, 26 febrero 2016

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“an original and thought-provoking programme”

Crítica hecha desde Wigmore Hall, Londres el 25 febrero 2016

Vaughan Williams, 4 Hymns for tenor, viola and piano

Wagner, Wesendonck-Lieder

Gounod, Roméo et Juliette: L'amour! - Ah! lève-toi, soleil!

Mascagni, Cavalleria rusticana: Mamma, quel vino è generoso

Berlioz, La Damnation de Faust, Op.24: D'amour l'ardente flamme

Bizet, Carmen: "The Flower Song" La fleur que tu m'avais jetée

Bizet, Carmen: C'est toi! C'est moi!

Bryan Hymel, Tenor

Irene Roberts, Mezzosoprano

Krzysztof Chorzelski, Viola

Julius Drake, Piano

Sobre la importancia del texto: Matthew Polenzani en el Ciclo de Lied

David Santana Cañas, 14th December

El tenor norteamericano Matthew Polenzani hace su debut en el Ciclo de Lied junto con el pianista Julius Drake cosechando un notable éxito.

****1

Les péchés capiteux d'Axelle Fanyo et Fleur Barron à l'Athénée

Jean-Pierre Rousseau, 16th February

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.

****1

Le Voyage d’hiver de Bostridge, Drake et Warner pétrifie l’Athénée

Pierre Michel, 20th November

Ian Bostridge et Julius Drake proposent une interprétation exceptionnelle du cycle schubertien, sublimée par la mise en scène de Deborah Warner et les lumières de Jean Kalman, jusqu'à l'énigme finale.

*****

Bumpy love songs from Roderick Williams and Julius Drake at PCMS

Cameron Kelsall, 12th February

A fully produced performance of Brahms' Die schӧne Magelone in Philadelphia, complete with on-stage narrator and bespoke drawings, proved less than the sum of its parts.

**111

Fauré Song Gala a showcase for the composer's mélodies

Mark Valencia, 13th September

Fauré was the finest of French songwriters. Stéphane Degout and Véronique Gens shine in a full-length evening in a packed Wigmore Hall.

****1

Gerald Finley and Julius Drake bring Night and Day to London

Mark Valencia, 24th November

Heinrich Heine settings by Schumann and Schubert are counter-balanced by Duparc and Cole Porter in a Temple Song recital reflecting on night and day.

*****

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

From Heaven's joys to arena's sands: Hymel and Roberts Wigmore Hall