Immaculately tailored Ravel and Mussorgsky from Inon Barnatan

Por Mark Pullinger, 01 noviembre 2018

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“wisps of a waltz emerging as if remembrances through thick mists”

Crítica hecha desde Queen Elizabeth Hall, Londres el 31 octubre 2018

Ravel, Le Tombeau de Couperin

Ravel, Jeux d'eau

Ravel, Pavana para una infanta difunta

Ravel, La Valse

Musorgskiï, Cuadros de una exposición

Wild, 7 Virtuoso Études after Gershwin: “I got Rhythm”

Inon Barnatan, Piano

La Sinfónica de Tenerife comienza con éxito su ciclo Schumann

Francisco Martínez Ramos, 4th October

La Orquesta Sinfónica de Tenerife y su titular Antonio Méndez ofrecieron el primero de los tres conciertos dedicados íntegramente a Robert Schumann. Actuó como solista el pianista Inon Barnatan.

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Piano trios x 3 from Weilerstein, Jackiw and Barnatan at QEH

Roy Westbrook, 30th November

The classical equivalent to a pop “supergroup” assembles at the Southbank Centre for piano trios by Rachmaninov, Ravel and Beethoven.

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Seattle Chamber Music Society launches its 2025 summer festival

Thomas May, 6th July

The Seattle Chamber Music Society opens its 2025 summer festival with a program of striking emotional depth, musical refinement and rapturous ensemble connection.

****1

Eun Sun Kim makes dazzling Boston Symphony Orchestra debut

Kevin Wells, 8th March

Late-career works by Lyadov, Bartók and Rachmaninov dominated the program, which featured Inon Barnatan as piano soloist.

*****

Barnstorming performances from Inon Barnatan at Wigmore Hall

Chris Garlick, 6th October

Inon Barnatan hits the ground running with Ravel in his recital, concluding with his own transcription of Rachmaninov's Symphonic Dances.

****1

Oksana Lyniv makes a dazzling Cleveland Orchestra debut

Frank Kuznik, 11th July

Oksana Lyniv gets the best out of The Cleveland Orchestra, treating the audience to spellbinding versions of charming fables.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Immaculately tailored Ravel and Mussorgsky from Inon Barnatan at the QEH