New talent showcased in Australian Ballet's Instruments of Dance

Samara Merrick and Adam Elmes in Annealing

Elijah Trevitt in Annealing

Benedicte Bemet and Brett Chynoweth in Everywhere We Go

Amy Harris and Adam Bull in Annealing

Adam Elmes in Obsidian Tear

Por Chantal Nguyen, 16 noviembre 2022

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“clever, geometrically dazzling, and touched with a sort of American showiness and speed”

Crítica hecha desde Sydney Opera House: Joan Sutherland Theatre, Sídney el 10 noviembre 2022

Everywhere We Go (Justin Peck)

Obsidian Tear (Sir Wayne McGregor)

Annealing (Alice Topp)

The Australian Ballet

Daniel Capps, Dirección

Karl Jensen, Diseño de escena

Janie Taylor, Diseño de vestuario

Brandon Stirling Baker, Diseño de iluminación

Opera Australia Orchestra

Lucy Carter, Diseño de iluminación

Adam Bull, Bailarín

Brett Chynoweth, Bailarín

Adam Elmes, Bailarín

Callum Linnane, Bailarín

Samara Merrick, Bailarín

Duncan Salton, Piano

Elijah Trevitt, Bailarín

Annabelle Watt, Bailarín

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

The Royal Ballet in Perspectives: a diverse and challenging triple

Amanda Jennings, 14th November

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

****1

Few signs of heat in a mixed bill at New York City Ballet

Carla Escoda, 25th September

New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.

***11

Atlanta Ballet showcases impressive range in Balanchine & Peck program

Rebecca Ehrhardt, 13th September

Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

****1

NYCB: Justin Peck revisits the familiar in Mystic Familiar

Ivy Lin, 10th May

New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.

****1

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Chantal Nguyen

Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.

Hallberg showcases new talent in Australian Ballet's Instruments of Dance