Luminous Lutosławski from Karabits and the BSO

Por Gavin Dixon, 16 febrero 2017

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“breathtaking intensity and focus”

Crítica hecha desde Lighthouse, Poole el 15 febrero 2017

Bartók, Dance Suite, Sz. 77

Barber, Concierto para violín, op. 14

Lutosławski, Concierto para orquesta

Bournemouth Symphony Orchestra

Kirill Karabits, Dirección

Nemanja Radulović, Violín

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Sian Edwards takes the helm of the Bournemouth Symphony Orchestra in Britten, Korngold and Dvořák, with mixed results.

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The BSO play a trio of 20th-century greats — Ravel and Shostakovich both taking inspiration from the age of jazz, while Walton’s First Symphony provides contrast.

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A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.

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Gavin Dixon

Gavin Dixon is a writer, journalist and editor specialising in classical music. He writes for publications such as Gramophone, Classical Music and BBC Music Magazine. Gavin has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the “Alfred Schnittke Collected Works” edition. His website is here.

Luminous Lutosławski from Kirill Karabits and the Bournemouth Symphony