Znaniecki's directorial success in Budapest

Par Alexandra Ivanoff, 04 octobre 2016

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“a fascinating musical fabric that used folk melodies as its golden threads”

Critique faite à Hungarian State Opera: Auditorium, Budapest, le 1 octobre 2016

Kodály, Székelyfonó (The Spinning Room)

Opéra d'État hongrois

Balázs Kocsár, Direction

Michał Znaniecki, Mise en scène

Luigi Scoglio, Décors

Magdalena Dabrowska, Costumes

Erika Gál, Háziasszony (housewife)

Atala Schöck, Háziasszony (housewife)

Levente Molnár, Kérője (suitor)

Zsolt Haja, Kérője (suitor)

Adorján Pataki, Fiatal Legény (young man)

Gergely Ujvári, Fiatal Legény (young man)

Andrea Rost, Fiatal Leány (young girl)

Rita Rácz, Fiatal Leány (young girl)

Orsolya Sáfár, Fiatal Leány (young girl)

Zoltán Gradsach, A Nagyorrú Bolha (flea)

Lajos Geiger, A Nagyorrú Bolha (flea)

Andrea Edina Ulbrich, Szomszédasszony (neighbour)

Bernadett Wiedemann, Szomszédasszony (neighbour)

Orchestre de l'Opéra d'État hongrois

Bogumil Palewicz, Lumières

Budapest accueille ses Enfants terribles

Suzanne Lay-Canessa, 13th November

Jean Cocteau rencontre Philip Glass à l'Opéra d'État hongrois, dans le cadre neuf de l'Eiffel Art Studios, et cette production des Enfants terribles se déroule à un tempo infernal !

****1

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

Plus de critiques...

Alexandra Ivanoff

Alexandra Ivanoff is an American journalist who, after singing for five seasons with the San Francisco Opera, lived for eight years in Istanbul, where she began her career as a music journalist with Time Out magazine and Today's Zaman newspaper in that city. After one year in Berlin and now in Budapest, she reviews from various cities and festivals in Europe, as well as Istanbul, New York, and Los Angeles. She has degrees in music from the Eastman School of Music in NY and Yale University Graduate School of Music.

Znaniecki's directorial success in Budapest: Kodály’s The Spinning Room