Anna Tsygankova is a riveting Lady Macbeth in Amsterdam

Anna Tsygankova and Giorgi Potskhishvili in Helen Pickett's Lady Macbeth

Olga Smirnova and Timothy van Poucke in Helen Pickett's Lady Macbeth (5th April cast)

Giorgi Potskhishvili as Macbeth in Helen Pickett's Lady Macbeth

Olga Smirnova and Timothy van Poucke in Helen Pickett's Lady Macbeth (5th April cast)

Anna Tsygankova as Lady Macbeth in Helen Pickett's Lady Macbeth

Olga Smirnova and Timothy van Poucke in Helen Pickett's Lady Macbeth (5th April cast)

Por Vikki Jane Vile, 09 abril 2025

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“fingers splayed rigidly and a killer extension that shoots up next to her head”

Crítica hecha desde Dutch National Opera and Ballet, Ámsterdam el 6 abril 2025

Lady Macbeth (Helen Pickett)

Dutch National Ballet

Koen Kessels, Dirección

James Bonas, Dirección de escena

Luis F Carvalho, Diseño de escena, Diseño de vestuario

Dutch National Ballet Orchestra

Helen Pickett, Dirección de escena

Anna Tsygankova, Bailarín

Giorgi Potskhishvili, Bailarín

Edo Wijnen, Bailarín

Nina Tonoli, Bailarín

Scottish Ballet's The Crucible: never less than thrilling

Kathy Elgin, 1st May

Scottish Ballet are tremendous in Helen Pickett's riveting production of Arthur Miller's The Crucible.

****1

American Ballet Theatre: Crime and Punishment punishes the audience

Ivy Lin, 30th October

Great novels make bad ballets. There might be exceptions to this rule, but this isn't it.

**111

Balletic alchemy in Scottish Ballet's The Crucible

Graham Watts, 14th June

Helen Pickett's slick and revealing adaptation of Arthur Miller's play receives its London premiere at Sadler's Wells.

***11

An evening with Scottish Ballet at the Edinburgh Festival

Graham Watts, 8th August

A worthwhile addition to the locker of lockdown digital dance.

***11

Magical images, tulips and a lobster at Kansas City Ballet

Hilary Stroh, 11th October

Adam Hougland's premiere of Carmina Burana in Kansas City.

****1

Triumphant Tulsa Ballet

Andrew Blackmore-Dobbyn, 6th March

Bravo to Tulsa Ballet for doing everything they needed to do for a successful appearance at The Joyce Theater.

****1

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Vikki Jane Vile

Vikki Jane Vile has been reviewing dance for over ten years, specialising in Ballroom and Ballet. In 2018, she became a member of the Critics' Circle for Dance. Vikki writes for BroadwayWorld and previously Dancing Times, LondonDance.com and CultureWhisper. She also prides herself on being a Strictly Come Dancing connoisseur since its inception and has appeared on BBC radio and several podcasts as an expert on all things Strictly. Having lived in London for ten years, she is now based in Germany and adapting to the Berlin dance scene.

Anna Tsygankova is a riveting Lady Macbeth in Pickett’s new production