Riotous nonsense and royal nuptials: Lalla-Roukh at Wexford

Niamh O’Sullivan (Mirza) and Gabrielle Philiponet (Lalla-Roukh)

Lalla-Roukh at Wexford Festival Opera

Lorcan Cranitch in Lalla-Roukh

Ben McAteer (Baskir) and Pablo Bemsch (Nourreddin)

Emer Wyn Jones (Bakbara) and Thomas D Hopkinson (Kaboul)

Por Roy Westbrook, 23 octubre 2022

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“hard to make the predictable reveal very revelatory, so the design opts for Disney”

Crítica hecha desde National Opera House: O’Reilly Theatre, Wexford el 22 octubre 2022

David, Lalla-Roukh

Wexford Festival Opera

Steven White, Dirección

Orpha Phelan, Dirección de escena

Madeleine Boyd, Diseño de escena, Diseño de vestuario

DM Wood, Diseño de iluminación

Orchestra of Wexford Festival Opera

Chorus of Wexford Festival Opera

Gabrielle Philiponet, Lalla-Roukh

Pablo Bemsch, Nourreddin

Niamh O'Sullivan, Mirza

Ben McAteer, Baskir

Emyr Wyn Jones, Bakbara

Thomas D Hopkinson, Kaboul

Lorcan Cranitch, Narración

Amy Share-Kissiov, Coreografía

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Riotous nonsense and royal nuptials: Lalla-Roukh at Wexford Festival Opera