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Viennese splendour in Garsington’s Rosenkavalier revival
Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast.
Die Fledermaus at The Grange: Cabaret meets G&S
A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.
An electrifying Carmina Burana from RSNO
A terrific Carmina Burana from the RSNO and choruses conducted by Marzena Diakun conducting. Elena Langer’s The Dong with a Luminous Nose was a perfect opener.
Stanford's hilarious The Critic proves a Wexford knockout
Conor Hanratty's humorous production is a triumph from beginning to end, a must see at this year's Wexford Festival.
The Best of All Possible Satires: Candide sparkles in Vienna
Lydia Steier's new production of Candide is a kaleidoscopic celebration of Leonard Bernstein's varied musical idioms.
Riotous nonsense and royal nuptials: Lalla-Roukh at Wexford
Orpha Phelan has fun staging Félicien David’s opéra comique, moving the action from Kashmir and Samarkand to Leila O’Rourke’s Tea Emporium.