Sound and fury: Luke Styles' Macbeth

Por Charlotte Valori, 10 septiembre 2015

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“a nimble, intense 70 minute drama focusing on the psychological over the supernatural”

Crítica hecha desde Royal Opera House: Linbury Theatre, Londres el 9 septiembre 2015

Styles, Macbeth

Glyndebourne Autumn

Jeremy Bines, Dirección

Ted Huffman, Dirección de escena

Kitty Callister, Diseño de escena

London Philharmonic Orchestra

Alessandro Fisher, Tenor

Ed Ballard, Barítono

Aidan Coburn, Tenor

Richard Bignall, Tenor

Andrew Davies, Barítono

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****1

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****1

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Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

****1

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Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.

***11

Another joyful return for Glyndebourne's fizzy Elisir d'amore

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Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production.

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Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.

Sound and fury: Luke Styles' Macbeth, Glyndebourne