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A noble attempt: Thomas Dausgaard leads the Seattle Symphony in Mahler's Tenth

Por Thomas May, 23 noviembre 2015
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Crítica hecha desde Benaroya Hall, S Mark Taper Auditorium, Seattle el 22 noviembre 2015
Programa
Mahler, Sinfonía núm. 10 en fa sostenido mayor (Cooke version)
Intérpretes
Seattle Symphony
Thomas Dausgaard, Dirección
Más críticas de Concierto
Nicholas McGegan brings delicacy and elegance to Mendelssohn
Erica Miner, 18th April
The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.
****1
A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

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Ioffe conducts the Seattle Symphony in varied faces of Romanticism
Thomas May, 8th January
Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.
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Ivars Taurins leads the Seattle Symphony in Baroque feast
Thomas May, 16th October

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.

****1
Morlot returns to lead Seattle Symphony’s season-closing showcase
Thomas May, 19th June

Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot. 

****1
Peter Oundjian bridges the centuries in Seattle
Erica Miner, 15th March
The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.
***11
Más críticas...
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Gustav MahlerSeattle SymphonySinfonía núm. 10 en fa sostenido mayorThomas Dausgaard
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Thomas May
Thomas May
Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.