Dudamel's Mahler grows up

Por Mark Pullinger, 25 marzo 2016

Descargando, espere, por favor...

Ver la programación

“trumpets ripped apart their reveilles with lacerating ferocity”

Crítica hecha desde Barbican Hall, Londres el 24 marzo 2016

Mahler, Sinfonía núm. 3 en re menor

Los Angeles Philharmonic

Gustavo Dudamel, Dirección

Tamara Mumford, Mezzosoprano

Tiffin Boys' Choir

Ladies of the London Symphony Chorus

Las manos y los oídos de Beethoven: Dudamel dirige Fidelio en el Liceu

Maria Sánchez, 26th May

Conocimiento y sensibilidad en la propuesta liderada por Dudamel, posibilitando una interpretación para oyentes y sordos con la participación del Coro de Manos Blancas y la Deaf West Theatre.

****1

A cerebral bacchanalia: Young's bold, brainy Messiaen at Disney Hall

Néstor Castiglione, 10th April

Simone Young's take on Messiaen's Turangalîla with the Los Angeles Philharmonic proves a night to remember.

*****

Dudamel and Catalan choirs dazzle in Beethoven’s Missa solemnis

Néstor Castiglione, 20th February

In Los Angeles, Gustavo Dudamel conducts Beethoven's Missa solemnis for the first time... and it proves worth the wait.

*****

Shock, spectacle and endurance: Yuja Wang and Thomas Adès at full tilt

Laurence Vittes, 8th February

If Prokofiev’s original intention in his Second Piano Concerto was shock and awe, Yuja Wang gives exactly the right performance with the Los Angeles Philharmonic.

***11

John Adams leads Americana, past and present, with LA Phil

Néstor Castiglione, 23rd January

Compelling as a composer and conductor, Adams restored Roy Harris' Third Symphony to the Los Angeles repertoire, alongside one of his most recent works.

*****

Salonen and the LA Philharmonic take on the forces of nature

Néstor Castiglione, 9th January

Reflections of nature and humanity's place within it in Salonen's 2026 return

****1

Más críticas...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Dudamel's Mahler grows up: a transcendent Third with the LA Phil