Mini-Mahler: a reduced but upscale Das Lied von der Erde at Kings Place

Por Matthew Rye, 15 octubre 2017

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“Not so much a ‘Symphony of a Thousand’ as a ‘Symphony of a Handful’”

Crítica hecha desde Kings Place: Hall One, Londres el 14 octubre 2017

Mozart, Concierto para piano núm. 11 en fa mayor, K413 (K387a) (for piano and string quartet)

Mahler, Piano Quartet in A minor

Mahler, Das Lied von der Erde (arr. Farrington)

Dame Sarah Connolly, Mezzosoprano

Andrew Staples, Tenor

John Reid, Piano

Aurora Orchestra

Nicholas Collon, Dirección

Echoes of Youth from the Aurora principals at Kings Place

Mark Valencia, 19th March

Billed under the heading ‘Echoes of Youth’, this Kings Place programme is an attractive ragbag of unlikely bedfellows.

****1

Brett Dean and Lotte Betts-Dean unlock musical memories at Kings Place

Eleanor Knight, 17th January

Father and daughter team of Brett Dean and Lotte Betts-Dean join forces for the opening concert of Kings Place’s ‘Memory Unwrapped’ season.

****1

Aurora dazzle in Edinburgh International Festival debut

Simon Thompson, 18th August

Aurora Orchestra turn Shostakovich's Fifth Symphony inside out to exhilarating effect in a dazzling performance in their Scottish debut. Abel Selaocoe’s Four Spirits, on the other hand, has surface shine but not much substance.

****1

Aurora Orchestra pulls off another dramatic performance from memory

Nick Boston, 17th August

Nicholas Collon and the Aurora Orchestra, together with Frantic Assembly, present an illuminating analysis of Shostakovich's Fifth Symphony, followed by a blistering account of the work from memory.

****1

“Earth Unwrapped” reveals mixed bag: Aurora Orchestra and BBC Singers

Eleanor Knight, 31st January

The exquisite ensemble of Aurora and BBC Singers in the intimate setting of Kings Place are reason enough to linger longer on earth.

***11

Overtaken by the night: Aurora and Donald Grant get lost on the road

Christopher Woodley, 28th September

At Kings Place Aurora Orchestra and Donald Grant fail to impress with a straggling programme of traditional arrangements, composed pieces and a world premiere.

**111

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Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).