Piano wizardry from Mariam Batsashvili at Wigmore Hall

Por Chris Garlick, 14 octubre 2020

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Crítica hecha desde Wigmore Hall, Londres el 13 octubre 2020

Franck, Prélude, Fugue and Variation, Op.18

Ravel, Sonatina en fa sostenido mayor

Thalberg, Grand caprice on Bellini's La Sonnambula, Op.46

Schumann, Fantasiestücke, Op.12

Liszt, Paraphrase on a Waltz from Gounod's "Faust", S 407

Rossini, Petit caprice "Style Offenbach"

Mariam Batsashvili, Piano

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Retour sur la vingt-deuxième édition du festival, avec une série de concerts et récitals qui mettaient exclusivement à l'honneur des artistes femmes, mais aussi des cours d'interprétation et d'improvisation, des conférences...

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Mariam Batsashvili gives stunning display of pianism in her EIF debut

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You don’t get to win the International Franz Liszt Piano Competition by being a shrinking violet. Mariam Batsashvili demonstrates fistfuls of chords in Edinburgh.

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Timmy Fisher, 27th November

Alexander Shelley conducts a folksong-infused programme of Kodály and Bartók, with Mariam Batsashvili performing Liszt.

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Entre la variedad estilística y las diversas maneras de hacer, la música del violonchelista alemán desplegó un muestrario de posibilidades instrumentales en la intimidad monástica.

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Chris Garlick

Chris Garlick is the co-founder of Signal Gallery in Hoxton. His first degree was in music, training as a classical composer. Chris has written about art frequently in Art of England magazine, Artist and Illustrator for online blogs.