McGregor and Mugler unveil a dance-fashion spectacle at the Coliseum

Por Sarah Kirkup, 09 diciembre 2019

Descargando, espere, por favor...

Ver la programación

“Outrageous, camp, glitzy, over-the-top … think the laser-fuelled Orlando from McGregor’s Woolf Works”

Crítica hecha desde The London Coliseum, Londres el 8 diciembre 2019

McGregor + Mugler (Sir Wayne McGregor)

Radio & Juliet (Edward Clug)

Faun (Sidi Larbi Cherkaoui)

Olga Smirnova, Bailarín

Edward Watson, Bailarín

Katja Khaniukova, Bailarín

Denis Matvienko, Bailarín

Anastasia Stashkevich, Bailarín

Vyacheslav Lopatin, Bailarín

Autobiography de un cuerpo sin rostro por Company Wayne McGregor

Cintia Borges Carreras, 7th December

El algoritmo matemático de Autobiography descodifica cuerpos, fragmenta la memoria y altera el equilibrio emocional a través de un montaje atlético y un paisaje lumínico con narrativa propia.

****1

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

Woolf Works for The Royal Ballet: reaching poetic depths

Maggie Foyer, 17th January

Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

Wayne McGregor’s Jocasta’s Line offers powerful performances

Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

****1

Un passionnant panorama de la danse contemporaine à Bordeaux

Julie Jozwiak, 10th April

Temps fort de la saison du Ballet de l'Opéra National de Bordeaux, la soirée « Quatre tendances » associe cette année deux créations de Wiest et Casquilho et deux œuvres cultes de McGregor et León & Lighfoot.

****1

Más críticas...

Sarah Kirkup

Sarah Kirkup has been Deputy Editor of Gramophone since 2010. She also writes for publications including the Royal Opera House’s in-house magazine and programmes for The Royal Ballet, and reviews dance events for cross-arts online magazine The Cusp. She is particularly interested in the relationship between music and dance, and has spoken on this subject at panel discussions, talks and events.