McVicar's Meistersinger touches the heart

Por Mark Pullinger, 22 mayo 2016

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“No grizzled greybeard, Finley's Sachs is a viable alternative for Eva's hand”

Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 21 mayo 2016

Wagner, Die Meistersinger von Nürnberg

Glyndebourne Festival Opera

Michael Güttler, Dirección

Sir David McVicar, Dirección de escena

Vicki Mortimer, Diseño de escena, Diseño de vestuario

Gerald Finley, Hans Sachs

Jochen Kupfer, Sixtus Beckmesser

Amanda Majeski, Eva

Alastair Miles, Veit Pogner

David Portillo, David

Michael Schade, Walther von Stolzing

Hanna Hipp, Magdalena

Darren Jeffery, Fritz Kothner

Colin Judson, Kunz Vogelgesang

Andrew Slater, Konrad Nachtigall

Nicholas Folwell, Hermann Ortel

Alasdair Elliott, Balthasar Zorn

Daniel Norman, Augustin Moser

Adrian Thompson, Ulrich Eisslinger

Henry Waddington, Hans Foltz

Sion Goronwy, Hans Schwarz

Patrick Guetti, Nightwatchman

London Philharmonic Orchestra

The Glyndebourne Chorus

Paule Constable, Diseño de iluminación

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Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

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Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

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Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

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Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

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Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

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David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Humour and humanity: McVicar's Meistersinger touches the heart at Glyndebourne