La Fenice's superb new Widow is always Merry, even without sequins and ostrich feathers

Por Renato Verga, 04 febrero 2018

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Crítica hecha desde Teatro La Fenice, Venice el 2 febrero 2018

Lehár, Die lustige Witwe (The Merry Widow)

Teatro La Fenice

Stefano Montanari, Dirección

Damiano Michieletto, Dirección de escena

Paolo Fantin, Diseño de escena

Carla Teti, Diseño de vestuario

Nadja Mchantaf, Hanna Glawari

Christoph Pohl, Count Danilo Danilovich

Adriana Ferfecka, Valencienne

Franz Hawlata, Baron Mirko Zeta

Martina Bortolotti, Sylviane

Zdislava Bočková, Olga

Daniela Baňasová, Praskowia

Konstantin Lee, Camille de Rosillon

Marcello Nardis, Raoul de St Brioche

Roberto Maietta, Bogdanovich

William Corrò, Kromow

Karl-Heinz Macek, Njegus

Nicola Ziccardi, Pritschitsch

Simon Schnorr, Vicomte Cascada

Coro del Teatro La Fenice

Orchestra del Teatro La Fenice

Alessandro Carletti, Diseño de iluminación

Chiara Vecchi, Coreografía

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Renato Verga

Renato graduated from Turin University in Physics. He has always had a particular passion for music and the stage. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. In 2014, Renato started his own blog, which now has 1000 posts.