A Viennese whirl through Mozart masterpieces in Bogotá

Por Mark Pullinger, 03 abril 2015

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“a terrific account of the “Jupiter” Symphony... energetic, muscular, dazzling”

Crítica hecha desde Teatro Mayor Julio Mario Santo Domingo, Bogotá el 2 abril 2015

Mozart, Così fan tutte, K588: obertura

Mozart, Concierto para piano núm. 24 en do menor, K491

Mozart, Sinfonía núm. 41 en do mayor "Júpiter", K551

Wiener KammerOrchester

Stefan Vladar, Piano, Dirección

Wiener KammerOrchester: un virtuosismo diferente con Varvara y Miura

David Santana Cañas, 28th April

La Wiener KammerOrchester debuta en el ciclo de La Filarmónica ofreciendo un virtuosismo diferente de la mano de Fumiaki Miura y Varvara Nepomnyashchaya.

****1

Ringelspiel mit Anfassen: Das Spitzentuch der Königin am MTadW

Norman Schwarze, 20th January

Christian Thausing liefert mit Das Spitzentuch der Königin von Johann Strauss II am frisch renovierten Theater an der Wien eine etwas lustlose Neuinszenierung ab, die leider auch musikalisch keine echten Highlights bietet.

**111

Physiology, puppetry and pharmaceuticals at Theater an der Wien

Chanda VanderHart, 15th May

Director Nikolaus Habjan took Oberon’s inherent miscellany and ran with it, straight into a retro-futurism aesthetic.

****1

A visually strong Der Kaiser von Atlantis at the Kammeroper

Chanda VanderHart, 11th January

To those unfamiliar with Victor Ullman’s Der Kaiser von Atlantis, oder Die Tod-Verweigerung, the story of the work’s inception is almost as gripping as the libretto itself.

***11

Traviata-Remix in Wien

Katharina Hogrefe, 27th September

Violetta der etwas anderen Art: Lotte de Beer und Moritz Eggert versetzen nicht nur die Geschichte der Traviata in das Hier und Heute, sondern verleihen auch der Musik von Guiseppe Verdi ein neues Kostüm.

***11

Out of the Woods: an urban Hänsel und Gretel

Chanda VanderHart, 14th May

A very creative reading – both scenically and musically – of Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel for Theater an der Wien's final production of the season at the Kammeroper.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.