Murray Perahia: Bach and late Brahms at the Lincoln Center

Por David Allen, 26 marzo 2012

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Crítica hecha desde Lincoln Center: Wu Tsai Theater, David Geffen Hall, Nueva York el 25 marzo 2012

Bach, French Suite no. 5 in G major, BWV816

Beethoven, Sonata para piano núm. 27 en mi menor, Op.90

Brahms, Cuatro piezas para piano, Op.119

Schubert, Sonata para piano núm. 13 en la mayor, D.664

Chopin, Polonesa núm. 1 en do sostenido menor, op. 26 núm. 1

Chopin, Prélude in F sharp minor, Op.28 no.8

Chopin, Mazurca en do sostenido menor, op. 30 núm. 4

Chopin, Scherzo núm. 3 en do sostenido menor, op. 39

Murray Perahia, Piano

A probing Hammerklavier in Chicago

Sam Jacobson, 7th May

Murray Perahia’s deeply rewarding recital featured Beethoven’s monolithic Hammerklavier piano sonata, prefaced by works of Bach and Schubert.

****1

Full of the joys of spring in Beethoven

Alexander Hall, 20th February

Soon to be seventy, Murray Perahia and the Academy of St Martin in the Fields give full expression to the life force that is Beethoven, in their continuing cycle of the piano concertos.

*****

Perahia in Manchester: A thunderous Hammerklavier

Rohan Shotton, 15th June

Murray Perahia plays Haydn, Mozart, Brahms and Beethoven in Manchester's Bridgewater Hall.

****1

Lions in winter: Perahia and Haitink in Boston

Kevin Wells, 31st March

Bernard Haitink and Murray Perahia bring a lifetime of experience, frequent collaboration, and an evergreen musicianship to bear on a program of Beethoven and Mahler.

*****

Meister der Klangarchitektur

Benedikt Zacher, 2nd December

Murray Perahia erschuf vor dem geistigen Auge des Münchener Publikums zwei großartige und doch ganz unterschiedliche Klanggebäude Beethoven'scher Klavierkonzerte.

****1

Tragic undertones and optimistic spirit

Olga de Kort, 15th November

A memorable programme of Schumann from Bernard Haitink and the Chamber Orchestra of Europe.

****1

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David Allen

David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.