Tragic undertones and optimistic spirit

Por Olga de Kort, 18 noviembre 2015

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Crítica hecha desde Concertgebouw: Main Hall, Ámsterdam el 15 noviembre 2015

Schumann, Manfred: obertura, Op.115

Schumann, Concierto para piano en la menor, Op.54

Schumann, Sinfonía núm. 2 en do mayor, Op.61

Chamber Orchestra of Europe

Bernard Haitink, Dirección

Murray Perahia, Piano

María Dueñas brilla en la Sinfonía española de Lalo en Zaragoza

David Santana Cañas, 14th November

María Dueñas y la Chamber Orchestra of Europe encandilan al público de Zaragoza con la gracia y la sensualidad de la Sinfonía española de Édouard Lalo.

****1

Santander disfruta la narrativa sinfónica de Harding y la COE

Pablo Sánchez Quinteiro, 7th August

El Festival de Santander recibe a la Chamber Orchestra of Europe y a Daniel Harding, con un programa de intensidad narrativa que dio como resultado una velada musical magnífica.

*****

Chamber Orchestra of Europe brings all-Brahms evening to Philadelphia

Cameron Kelsall, 10th December

Conducted by honorary member Yannick Nézet-Séguin, the COE’s all-Brahms concert features the composer's First Symphony and final major work, the Double Concerto for Violin and Cello.

****1

Brahms par Nézet-Séguin et le Chamber Orchestra of Europe à Paris

Tristan Labouret, 6th December

Au sommet de leur art, le Chamber Orchestra of Europe et le chef québécois ont livré un concert 100% Brahms d'une grande beauté et d'une richesse dramatique rare.

*****

L'humanité de Sunwook Kim et du COE à la Halle aux grains

Thibault d'Hauthuille, 26th March

Dans un concert peu commun qui réunissait les trois derniers concertos pour piano de Beethoven, le pianiste et chef coréen et le COE ont révélé une symbiose rare.

*****

Beauty from Iestyn Davies, energy from Robin Ticciati in Gstaad

David Karlin, 2nd February

Iestyn Davies shows how to make every word count in a fairly standard sampler of Baroque arias; Ticciati is a fireball on the podium with the Chamber Orchestra of Europe.

***11

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Olga de Kort

Musicologist and music critic Olga de Kort (The Netherlands) studied in Russia (piano, culture sciences), France (journalism) and the Netherlands (musicology and music history, music education and communication, organ) where she has lived from 1998. She is active as a music journalist, lecturer in music history and culture and as a freelance musician. She writes for Piano Bulletin, Pianist, Luister, Preludium, De Klank, Het Orgel, Muziek&Liturgie, Kunstzone and Bachtrack. Besides her personal journalist blog, Olga de Kort has a website about Russian music in the Netherlands. At this moment she is working on a book about Russian music and musicians in the Netherlands and on a biography of Russian singer Anna El Tour.

Tragic undertones and optimistic spirit in Haitink's Schumann programme in Amsterdam