Kansas City Ballet: getting under our skin in New Moves

Kansas City Ballet in Under My Skin by Gabriel Lorena

Kansas City Ballet in Rather Lively Very Rhythmic by Cameron Thomas

Kansas City Ballet in This version of you looking at you you looking back by Emily Mistretta

Kansas City Ballet in Komorebi by Natasha Adorlee

Kansas City Ballet in Secret Places by Parish Maynard

Kansas City Ballet in I am, lost to all but this by Morgan Sicklick

Kansas City Ballet in Circle Back by Caroline Dahms and Hayley Kostas

Por Hilary Stroh, 23 marzo 2024

Descargando, espere, por favor...

Ver la programación

“It was like we, the audience, was a voyeur in one of those Degas’ rehearsal canvases”

Crítica hecha desde Todd Bolender Center for Dance & Creativity: Michael and Ginger Frost Studio Theater, Kansas City el 21 marzo 2024

Kansas City Ballet

Natasha Adorelee, Coreografía

Caroline Dahm, Coreografía

Haley Kostas, Coreografía

Gabriel Lorena, Coreografía

Parrish Maynard, Coreografía

Emily Mistretta, Coreografía

Morgan Sicklick, Coreografía

Cameron Thomas, Coreografía

Kansas City Ballet in Jewels: ballet for ballet's sake

Hilary Stroh, 10th May

Balanchine's Jewels for the Kansas City Ballet is a very pleasing way to end the season.

****1

North American premiere of Caniparoli's Jekyll & Hyde is gripping

Hilary Stroh, 13th October

Enthralling, intense and terrifying, yet compellingly watchable. It may send chills down the spine but it is quite brilliantly portrayed.

*****

KCB's authentic Cinderella has clear narrative and plenty of parody

Hilary Stroh, 17th February

Devon Carney's Cinderella is fast-moving and busy, with the stepsisters cavorting across the stage as the epitome of pantomime dames

****1

Emotivo Romeo y Julieta en el Municipal de Santiago

Pedro Carcey, 15th April

La producción del Municipal de Santiago de Romeo y Julieta ofreció una versión emotiva y de una narrativa eficaz para recrear la trágica historia de los amantes de Verona.

****1

Ballet Flamenco de Andalucía y Accademia del Piacere en Perelada

Leonardo Mattana Ereño, 10th July

Acertada producción de plano conceptual que propone revitalizar el repertorio barroco compartiendo espacio con el flamenco.

****1

Triunfo absoluto del Romeo y Julieta de Jean-Christophe Maillot

Daniel Martínez Babiloni, 28th June

El Palau de Les Arts presenta el poético e histórico Romeo y Julieta coreografiado de los Ballets de Monte-Carlo.

*****

Más críticas...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.