Kansas City Ballet: getting under our skin in New Moves

Kansas City Ballet in Under My Skin by Gabriel Lorena

Kansas City Ballet in Rather Lively Very Rhythmic by Cameron Thomas

Kansas City Ballet in This version of you looking at you you looking back by Emily Mistretta

Kansas City Ballet in Komorebi by Natasha Adorlee

Kansas City Ballet in Secret Places by Parish Maynard

Kansas City Ballet in I am, lost to all but this by Morgan Sicklick

Kansas City Ballet in Circle Back by Caroline Dahms and Hayley Kostas

Von Hilary Stroh, 23 März 2024

Laden, bitte warten...

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“It was like we, the audience, was a voyeur in one of those Degas’ rehearsal canvases”

Rezensierte Veranstaltung: Todd Bolender Center for Dance & Creativity: Michael and Ginger Frost Studio Theater, Kansas City, am 21 März 2024

Kansas City Ballet

Natasha Adorelee, Choreographie

Caroline Dahm, Choreographie

Haley Kostas, Choreographie

Gabriel Lorena, Choreographie

Parrish Maynard, Choreographie

Emily Mistretta, Choreographie

Morgan Sicklick, Choreographie

Cameron Thomas, Choreographie

Kansas City Ballet in Jewels: ballet for ballet's sake

Hilary Stroh, 10th May

Balanchine's Jewels for the Kansas City Ballet is a very pleasing way to end the season.

****1

North American premiere of Caniparoli's Jekyll & Hyde is gripping

Hilary Stroh, 13th October

Enthralling, intense and terrifying, yet compellingly watchable. It may send chills down the spine but it is quite brilliantly portrayed.

*****

KCB's authentic Cinderella has clear narrative and plenty of parody

Hilary Stroh, 17th February

Devon Carney's Cinderella is fast-moving and busy, with the stepsisters cavorting across the stage as the epitome of pantomime dames

****1

Der Norm nicht entsprechen: The Romeo beim Holland Festival

Michael Klier, 26th June

Trajal Harrells moderne Choreographie erzählt die Geschichte des Romeo und sagt dabei mehr als tausend Worte...

****1

Marcos Morau bezaubert mit neuer Choreographie in Den Haag

Michael Klier, 16th May

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.

****1

Zwischen Alt und Neu: Shades of Blue and White am Stuttgarter Ballett

Rainer Zerbst, 5th February

Das Stuttgarter Ballett demonstriert wieder einmal, wie sehr es sich der Tradition verpflichtet fühlt, manchmal mehr, als ihm guttut.

****1

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.