Outstanding Golda Schultz enhances New York Philharmonic concert

Golda Schultz and the New York Philharmonic

Gianandrea Noseda, Francesco Piemontesi and the New York Philharmonic

Por Edward Sava-Segal, 01 febrero 2024

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“her interpretation was infused with a strong sense of drama”

Crítica hecha desde Lincoln Center: Wu Tsai Theater, David Geffen Hall, Nueva York el 31 enero 2024

El programa incluirá:

Mozart, Idomeneo, re di Creta, K366: Ch'io mi scordi di te

Mozart, Concierto para piano núm. 25 en do mayor, K503

Mozart, Sonata para piano núm. 6 en re mayor, "Durnitz", K284 (K205b) (Variations)

Mahler, Sinfonía núm. 4 en sol mayor

New York Philharmonic

Gianandrea Noseda, Dirección

Golda Schultz, Soprano

Francesco Piemontesi, Piano

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Thomas Adès and Yuja Wang offer contemporary works at the NY Phil

Sam Jacobson, 23rd January

Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated and conducted by Thomas Adès.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.