Outstanding Golda Schultz enhances New York Philharmonic concert

Golda Schultz and the New York Philharmonic

Gianandrea Noseda, Francesco Piemontesi and the New York Philharmonic

Von Edward Sava-Segal, 01 Februar 2024

Laden, bitte warten...

Veranstaltung anzeigen

“her interpretation was infused with a strong sense of drama”

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 31 Januar 2024

Programm beinhaltet:

Mozart, Idomeneo, re di Creta, K366: Ch'io mi scordi di te

Mozart, Klavierkonzert Nr. 25 in C-Dur, KV503

Mozart, Klaviersonate in D-Dur, "Durnitz", KV285 (KV205b) (Variations)

Mahler, Symphonie Nr. 4 in G-Dur

New York Philharmonic

Gianandrea Noseda, Musikalische Leitung

Golda Schultz, Sopran

Francesco Piemontesi, Klavier

Yo-Yo Ma spielt Salonen in Hamburg

Zenaida des Aubris, 3rd April

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

***11

Semyon Bychkov conducts a triumphant New York Phil season finale

Susan Stempleski, 4th June

The Soviet-born American conductor delivers a robust account of Bruckner’s Eighth Symphony in the final program of the Philharmonic’s subscription season.

****1

Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

Weitere Kritiken...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.