Who knew desert islands could be such tuneful fun? Offenbach's Robinson Crusoe at the RCM

Mozart's teenage comedy is more complicated then Figaro but is easy on the ear, with many opportunities for a young cast to shine.

It premiered in the same year as Mozart's opera, but Gazzaniga's Don Giovanni is virtually unknown. Despite the best efforts of an energetic student cast it doesn't come close to hitting the heights that Mozart and Da Ponte reached.

An opportunity to hear one of Respighi's operas in the UK is a real treat; the composer's take on Sleeping Beauty, La bella dormente nel bosco, is an ideal companion to to Ravel's  L'Enfant et les sortilèges in a terrific double bill at the Royal College of Music.

A new production of Humperdinck's charming fairy-tale opera is always to be welcomed, particularly when performed with such enthusiasm by the students of the Royal College of Music.

Scottish Opera brings opera to the people on a huge scale in a promenade production of Pagliacci.  

Five short, exciting new works created in response to images by William Hogarth, showcasing a plethora of upcoming talent which already has lots to say about love, life, unkind critics and rave culture.