Uwe Eric Laufenberg’s Bayreuth take on Parsifal

Por Zoltán Szabó, 31 julio 2019

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Bayreuther Festspielhaus, Bayreuth el 30 julio 2019

Wagner, Parsifal

Semyon Bychkov, Dirección

Uwe Eric Laufenberg, Dirección de escena

Gisbert Jäkel, Diseño de escena

Jessica Karge, Diseño de vestuario

Ryan McKinny, Amfortas

Günther Groissböck, Gurnemanz

Andreas Schager, Parsifal

Elena Pankratova, Kundry

Derek Welton, Klingsor

Wilhelm Schwinghammer, Titurel

Ji Yoon, First Flowermaiden / First Group

Mareike Morr, First Flowermaiden / Second Group, Second squire

Alexandra Steiner, Second Flowermaiden / First Group, First squire

Bele Kumberger, Second Flowermaiden / Second Group

Marie-Henriette Reinhold, Third Flowermaiden / First Group

Wiebke Lehmkuhl, Third Flowermaiden / Second Group

Martin Homrich, First knight of the Grail

Timo Riihonen, Second knight of the Grail

Paul Kaufmann, Third squire

Stefan Heibach, Fourth squire

Reinhard Traub, Diseño de iluminación

Gérard Naziri, Videoarte

Richard Lorber, Dramaturgia

Bayreuther Festspielchor

Bayreuther Festspielorchester

Nuevo Parsifal en Bayreuth

Juan José Freijo, 6th August

Precedida por una gran atención mediática, el templo wagneriano estrena producción de su obra más propia. Un propuesta en la que destacan las voces y que resulta superficial a pesar de sus ambiciones.

***11

Irrungen und Geschmacksverwirrungen: Le nozze di Figaro

Alexandra Richter, 16th September

Die Spielzeiteröffnung am Staatstheater Wiesbaden setzt Beaumarchais Komödien in den Fokus.

***11

Ein Repertoireabend mit Glanzlichtern: Elektra in Wien

Snapdragon, 19th October

Lise Lindstrom macht bei ihrem Rollendebüt an der Wiener Staatsoper nicht nur wortwörtlich eine gute Figur.

***11

Laufenberg’s Elektra a disappointment in Vienna

Jonathan Sutherland, 5th December

German theatre director Uwe Eric Laufenberg freely incorporates some of Stanley Kubrik’s horror story concepts into his Elektra, but in ignoring both Sophocles and Strauss, is a long way from shining.

***11

Bayreuth welcomes a new Parsifal

Matthew Rye, 2nd August

Uwe Eric Laufenberg sets his new staging of Wagner's final opera among the persecuted Christians of the contemporary Middle East – but avoids preaching.

****1

Götterdammerung or The Ring returns to the Rhine

Brian Angus, 17th May

With Götterdämmerung the Linz Ring came to a controversial conclusion with a graphic depiction of Siegfried violently raping a defenceless Brünnhilde, and Hagen entertaining his father Alberich, and his mother.

***11

Más críticas...

Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.

Uwe Eric Laufenberg’s Bayreuth take on Parsifal: the case against religious fundamentalism