En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Uwe Eric Laufenberg

Precedida por una gran atención mediática, el templo wagneriano estrena producción de su obra más propia. Un propuesta en la que destacan las voces y que resulta superficial a pesar de sus ambiciones.

Die Spielzeiteröffnung am Staatstheater Wiesbaden setzt Beaumarchais Komödien in den Fokus.

Despite its enigmatic details, Bayreuth's Parsifal reaches a cathartic climax. 

Lise Lindstrom macht bei ihrem Rollendebüt an der Wiener Staatsoper nicht nur wortwörtlich eine gute Figur.

German theatre director Uwe Eric Laufenberg freely incorporates some of Stanley Kubrik’s horror story concepts into his Elektra, but in ignoring both Sophocles and Strauss, is a long way from shining.  

Uwe Eric Laufenberg sets his new staging of Wagner's final opera among the persecuted Christians of the contemporary Middle East – but avoids preaching.

With Götterdämmerung the Linz Ring came to a controversial conclusion with a graphic depiction of Siegfried violently raping a defenceless Brünnhilde, and Hagen entertaining his father Alberich, and his mother.

Rewarding performances by Matthäus Schmidlechner as Mime and Lars Cleveman in the title role, plus Elena Nebera as Brünnhilde, made Richard Wagner’s Siegfried at the Landestheater Linz a joy.

Some beautiful singing from Michael Bedjai as Siegmund and Brit-Tone Müller as Sieglinde set a high standard in this Landestheater Linz production of Richard Wagner’s Die Walküre.

Gerd Grochowski made a stunning Wotan and Michael Bedjai a cheerful Loge in Landestheater Linz’s production of Das Rheingold.

Nina Stemme makes a memorable role debut as Elektra in Vienna in a new production set in a coal-filled basement of a 1910 Viennese town house.