Requiem for a heavyweight: Riccardo Muti in Philadelphia

Por Cameron Kelsall, 26 octubre 2024

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“Muti’s preferred dynamics sacrificed the emotional core of the work for a few thrilling moments”

Crítica hecha desde Kimmel Center: Marian Anderson Hall, Philadelphia el 25 octubre 2024

Verdi, Messa da Requiem

Riccardo Muti, Dirección

Angela Meade, Soprano

Isabel De Paoli, Mezzosoprano

Giovanni Sala, Tenor

Maharram Huseynov, Bajo

The Philadelphia Orchestra

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Cameron Kelsall, 11th April

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Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

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Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

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Cameron Kelsall, 8th March

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Hilary Hahn returns to the stage with the Philadelphia Orchestra

Cameron Kelsall, 13th February

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Rarities surround Tchaikovsky favorite at the Philadelphia Orchestra

Cameron Kelsall, 6th February

Concertmaster David Kim performs Tchaikovsky's ever-popular Violin Concerto, and conductor Rafael Payare revisits Falla's El amor brujo.

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.