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Giuseppe Verdi (1818-1901)

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Bachtrack top ten: Giuseppe Verdi
Of all the 19th-century Italian opera composers, one stood head and shoulders above the rest. But Giuseppe Verdi was more than just an opera composer. He became a political figurehead. Our playlist includes nine of his most famous operas and his Requiem, described as “an opera in ecclesiastical garb”.
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CardiffA Night at the Opera

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Mascagni, Puccini, Verdi
Welsh National Opera Orchestra; Welsh National Opera Chorus

BrusselsFalstaff

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Verdi: Falstaff
Alain Altinoglu; Laurent Pelly; La Monnaie | De Munt; Ouri Bronchti; Barbara de Limburg; Joël Adam

MadridOtello

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Verdi: Otello
Nicola Luisotti; David Alden; Teatro Real; Giuseppe Mentuccia; Jon Morrell; Adam Silverman; Orquesta Titular del Teatro Real

AndermattA Night at the Opera

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Mozart, Verdi, Bizet
Swiss Orchestra; Lena-Lisa Wüstendörfer; Jeanine De Bique; Farrah El Dibany; Valentin Thill; James Newby

LondonA Night at The Opera by Candlelight (feat. Nessun Dorma)

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Verdi, Mozart, Donizetti, Bizet, Puccini
The Piccadilly Sinfonietta; Susan Parkes
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Diminishing returns in The Royal Opera’s Sicilian Vespers

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Joyce El-Khoury saves the day in The Royal Opera’s second revival of The Sicilian Vespers in Stefan Herheim’s paint-by-numbers production. 
***11
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A well-balanced Verdi Requiem in Perth

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The Perth Symphonic Chorus and Perth Philharmonic Orchestra with a fine quartet of local soloists deliver a satisfactory Verdi Requiem. 
***11
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Heaven is a place on earth: Verdi's Requiem in Saratoga Springs

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Returning to the first work he officially conducted as the Philadelphia Orchestra's Music Director, Yannick Nézet-Séguin offers a powerful study in contrasts, supported by a superb quartet of opera soloists.
*****
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Familiar favourites and a few surprises showcase the Hallé Choir

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A programme of shorter masterpieces brings the Hallé season at the Bridgewater Hall to an uplifting and exhilarating conclusion. 
****1
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All the world’s a jest: Falstaff returns to Glyndebourne

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Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh. 
***11
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