Polish National Ballet: Anna Hop's Pinokio is a great achievement

Polish National Ballet in Anna Hop's Pinokio

Por Graham Watts, 23 abril 2024

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“excellent repetitive choreographic motifs illustrate these theatrical scenes”

Crítica hecha desde Teatr Wielki, Warsaw el 21 abril 2024

Pinocchio (World Premiere) (Anna Hop)

Polish National Ballet

Marta Kluczyńska, Dirección

Krzysztof Pastor, Dirección de escena

Małgorzata Szabłowska, Diseño de escena, Diseño de iluminación

Katarzyna Rott, Diseño de vestuario

Orchestra of the Teatr Wielki

Lucía Lacarra y Matthew Golding nos acercan las distancias

Jorge Baeza Stanicic, 23rd January

Lucía Lacarra y Matthew Golding, también afectados por la separación forzada, proponían una unificación de coreografías preexistentes en un todo unitario para compartir su experiencia vital, fusionando sus movimientos con imágenes proyectadas en pantalla y con una selección musical de carácter íntimo y profundo.

*****

Polish National Ballet in Fredriana: a rollicking double bill

Graham Watts, 15th June

Two very popular comedy ballets to celebrate the music of Stanisław Moniuszko.

***11

Polish National Ballet: two substantial new works by women

Graham Watts, 28th January

If the world is short on female choreographers then there are two in Poland just waiting to be discovered!

****1

Polish National Ballet in Fredriana: a rollicking double bill

Graham Watts, 15th June

Two very popular comedy ballets to celebrate the music of Stanisław Moniuszko.

***11

A radical take on Romeo and Juliet at Polish National Ballet

Jenifer Sarver, 16th April

Prokofiev's score is reordered, the choreography is contemporary, characters are missing, and each of the three main scenes is set during a different 20th-century time period... yet, to a certain extent, it works.

***11

A tawdry travesty of a Traviata in Warsaw

Jonathan Sutherland, 7th April

Mariusz Treliński's Traviata had nothing to do with Dumas, Piave or Verdi. It's as if he confused La Dame aux camélias with Lulu.

**111

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.