Hans Werner Henze Pollicino enters the wood

Por Benedetta Saglietti, 30 mayo 2016

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Crítica hecha desde Teatro Regio di Torino, Turín el 28 mayo 2016

Henze, Pollicino

Teatro Regio di Torino

Claudio Fenoglio, Dirección

Dieter Kaegi, Dirección de escena

Italo Grassi, Diseño de escena, Diseño de vestuario

Giorgio Fidelio, Pollicino

Kate Fruchterman, Pollicino's mother

Michele Govi, Pollicino's father

Emilio Marcucci, The Ogre

Silvia Beltrami, The Ogre's wife

Riccardo Muti triumphs with Un ballo in maschera in Turin

Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti.

***11

Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin

Isabella Steppan, 22nd April

Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.

**111

The Pearl Fishers: Turin opens its operatic season

Renato Verga, 3rd October

The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.

**111

The first modern staged performance of Paër’s Agnese in Turin

Laura Servidei, 17th March

The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.

***11

In Turin's Trovatore, the women carry the day

Renato Verga, 10th October

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

***11

A strong Italian cast for Così fan tutte in Turin

Laura Servidei, 1st July

Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.

****1

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Benedetta Saglietti

Benedetta Saglietti hold a degree in music history. She is the author of Beethoven, ritratti e immagini: uno studio sull’iconografia (Beethoven, Portraits and Images: An Iconographical Study) and a contributor of program notes for musical institutions. Her book reviews appeared in scholarly journals such as Studi Filosofici, Síneris, Revista de Musicología, Ad Parnassum. Selected articles and essays are here.

Hans Werner Henze Pollicino enters the wood at Teatro Regio