Proms Chamber Music 6: English melancholy and French eccentricity from London Conchord Ensemble and Tritschler

Por Philip May, 22 agosto 2013

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Crítica hecha desde Cadogan Hall, Londres el 19 agosto 2013

Poulenc, Sexteto, FP 100

Holst I., Phantasy Quartet

Warlock, The Curlew

Couperin, Pièces de clavecin, Ordre no. 6: Les Baricades Mistérieuses (arr. T Adès)

Robin Tritschler, Tenor

London Conchord Ensemble

Paradise Deferred: Shelley takes on Schumann’s Paradies und die Peri

Andrew Larkin, 13th February

Alexander Shelley tackles Schumann’s sprawling Das Paradies und die Peri with conviction, shaping real momentum and drama, even if balance issues and Thomas Moore’s cloying libretto sometimes distract.

***11

Mixed results from Dalia Stasevska's trio of 20th-century works

David Truslove, 12th March

Seldom heard and standard repertoire bring mixed results from Dalia Stasevska, the BBC Symphony Orchestra and BBC Symphony Chorus.

***11

Václav Luks conducts a sprightly Christmas Oratorio

David Smythe, 28th November

A month early, perhaps, but Václav Luks conducts the Scottish Chamber Orchestra and Chorus in Bach's joyful celebration of the Christmas story.

****1

Überragender Meilenstein: Monteverdis Marienvesper von Raphaël Pichon

Jens Klier, 20th September

Wenn sich vom ersten bis letzten Ton Gänsehaut einstellt, dann huldigen die Künstler ihrer Klasse, der Faszination des Komponisten und einer unsterblichen Welt.

*****

Intuitive gifts: Stutzmann unlocks the secrets of late Bruckner

Peter Quantrill, 11th February

The Ninth forms a satisfying sequel to the conductor's mastery of the Seventh, marked by rhythmic spring and sonic splendour.

****1

Bath Festival Orchestra inspires the next generation at Cadogan Hall

Nick Boston, 8th June

Atmospheric Britten from Ben Goldscheider and Robin Tritschler, and insightful playing from the BFO under Peter Manning, with students from the Bobby Moore Academy at the evening's heart.

****1

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Philip May

A twice graduate of the RWCMD (BMus & MMus), Philip developed a strong interest in both early and 20th century music, particularly the works of the Second Viennese School and the late William Alwyn. A pianist and ensemble musician, Philip plays with the TripTych Trio and has a particular interest in orchestral and chamber music.