Mariana Flores brings Barbara Strozzi to life at Cadogan Hall

Por David Karlin, 29 julio 2019

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Crítica hecha desde Cadogan Hall, Londres el 29 julio 2019

Strozzi, L’amante segreto

Bembo, Ercole amante: Mingannasti in verità

Strozzi, Che si può fare

Bembo, Ercole amante: Volgete altrove il guardo

Strozzi, Sino alla morte

Cavalli, Ercole amante: E vuol dunque Ciprigna

Strozzi, Lagrime mie

Ramirez, Alfonsina y el mar

Mariana Flores, Soprano

Cappella Mediterranea

Leonardo García-Alarcón, harpsichord/organ/director

García-Alarcón y Bintou Dembélé: una bella metáfora

David Santana Cañas, 28th May

Una interesantísima propuesta de Leonardo García-Alarcón junto con la coreógrafa francesa Bintou Dembélé lleva la apolínea música de Rameau al escenario del Teatro Real.

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Castor et Pollux in Geneva: among the stars, with shadows

Laura Servidei, 28th March

Rameau’s Castor et Pollux returns to the stage in a new production that brings together Baroque repertoire and contemporary theatrical aesthetics, conducted by Leonardo García Alarcón and performed by Cappella Mediterranea with an international cast.

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Les Indes galantes at the Teatro alla Scala: Love and Thunder

Laura Servidei, 16th November

Leonardo Garcia-Alarcón leads a crisp, charismatic account of Rameau's Les Indes galantes, where a superb cast shines and the Cappella Mediterranea thoroughly convinces.

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Amore Siciliano mit der Cappella Mediterranea bei Klangvokal

Jens Klier, 31st October

Bei abermaliger Rückkehr nach Dortmund verströmten die Künstler um Leonardo García-Alarcón affektsatte, eingängige Identifikationsdüfte, die die Sinne schärften für namensgetreue Musikschätze und ensembleeigene Wolke aus Theatralik und Temperament.

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La Cappella Mediterranea à la fête pour ses 20 ans à Ambronay

Romain Daroles, 20th September

Après une répétition ouverte au public, l'ensemble dirigé par Leonardo García-Alarcón a magnifiquement fêté ses 20 ans avec une belle interprétation d'Acis et Galatée de Haendel.

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Masked marvels and Venetian mischief: Cavalli at Bayreuth Baroque

Mengguang Huang, 14th September

In the intimate splendour of the Margravial Opera House, Bayreuth Baroque revives Cavalli’s Pompeo Magno with a riot of colors, eight masked countertenors and a Tiepolo-like air of playful chaos.

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.