Vivaldi rewired: Max Richter’s Four Seasons

Por Zoltán Szabó, 11 mayo 2015

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Crítica hecha desde City Recital Hall, Sídney el 8 mayo 2015

Bach, Concierto de Brandeburgo núm. 3 en sol mayor, BWV1048

Vivaldi, L'estro armonico: Concerto for 2 violins, cello and strings in A minor, Op.3 no. 8, RV 522

Bach C.P.E., Flute Concerto in A minor, Wq. 166

Vivaldi, Las cuatro estaciones (Il cimento dell'armonia e dell'inventione), op. 8 núm. 1-4 (Arr. Max Richter)

Australian Brandenburg Orchestra

Paul Dyer, Dirección

Christina Leonard, Saxofón

Brendan Joyce, Violín

Samuel Mariño: high on Handel in Melbourne

Sandra Bowdler, 13th February

The sopranista voice type is rare although not unknown, but there are very few who are an unmitigated joy to listen to: Samuel Mariño is one of those rarities.

*****

Yukie Sato unlocks Handel’s House in Sydney

Sandra Bowdler, 30th August

Japanese soprano Yukie Sato joins the Australian Brandenburg Orchestra for a concert of Handel arias and orchestral works by Vivaldi and Pisandel, with a significant contribution from concertmaster Shawn Lee-Chen.

***11

Fellini goes Baroque with Circa and the ABO

Jeremy Eccles, 19th January

Acrobats flying to the music of Vivaldi and his contemporaries makes for a surprising but highly entertaining combination in this energetic pastiche.

*****

Brandenburg performs Brandenburgs: the ABO turns thirty

Zoltán Szabó, 27th February

The Australian Brandenburg Orchestra celebrates the beginning of its 30th season with a fittingly chosen programme.

****1

Ripping the heart from Handel's Messiah

Sandra Bowdler, 4th March

Messiah butchered and trivialised in Sydney performance

**111

Samuel Mariño: high on Handel in Melbourne

Sandra Bowdler, 13th February

The sopranista voice type is rare although not unknown, but there are very few who are an unmitigated joy to listen to: Samuel Mariño is one of those rarities.

*****

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.

Vivaldi rewired: Max Richter’s recomposition of The Four Seasons in Sydney