Royal Ballet's commemorative bill

Por Rym Kechacha, 10 noviembre 2014

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Crítica hecha desde Royal Opera House, Covent Garden, Londres el 7 noviembre 2014

Ceremony of Innocence (Kim Brandstrup)

The Age of Anxiety (Liam Scarlett)

Aeternum (Christopher Wheeldon)

The Royal Ballet

Kandis Cook, Diseño de escena

John Macfarlane, Diseño de escena

Jean-Marc Puissant, Diseño de escena

Christina Arestis, Bailarín

Edward Watson, Bailarín

Marcelino Sambé, Bailarín

Bennet Gartside, Bailarín

Laura Morera, Bailarín

Steven McRae, Bailarín

Tristan Dyer, Bailarín

Kevin Emerton, Bailarín

Deborah Warner culmina su sueño escénico en el Teatro Real

Juan José Freijo, 12th March

Warner vuelve a mostrar su talento indiscutible en la escena y su afinidad con Benjamin Britten, aunque, en esta ocasión, el aspecto musical no ha acompañado lo suficiente.

***11

Warner sienta cátedra en Madrid con su nuevo Billy Bud

Fernando Remiro, 3rd February

Billy Budd triunfa en Madrid gracias a una orquesta inspirada, un reparto sólido y un dream team de magos de la escena

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

Brandstrup Breaking Bach with the OAE at EIF

Kathy Elgin, 20th August

Kim Brandstrup choreographs Bach favourites based on hip hop and street dance. Lie back on the bean bags at Usher Hall and enjoy...

****1

Phaedra + Minotaur at the Linbury: truly arresting performances

Amanda Jennings, 6th February

Two individual works worth seeking out with outstanding performances in each.

****1

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Rym Kechacha

Rym Kechacha trained at Central School of Ballet and danced with Northern Ballet. She has blogged for Ballet.co, reviewed for DanceTabs and contributed to The Dancing Times and Dance Europe. She also writes fiction, essays and text messages.

Amidst the fields of poppies: The Royal Ballet's commemorative programme.