Igor Levit plays Rzewski world première

Por Frances Wilson, 14 abril 2018

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“Mahlerian in breadth... granitic and monumental”

Crítica hecha desde Wigmore Hall, Londres el 13 abril 2018

Rzewski, Ages (World première)

Mendelssohn, Song without words in E major, Op.19b no.1

Mendelssohn, Song without words in A major, Op.19b no.4

Mendelssohn, Song without words in A major "Duetto", Op.38 no.6

Mahler, Sinfonía núm. 10 en fa sostenido mayor: Adagio (Trans. Ronald Stevenson)

Igor Levit, Piano

Igor Levit und Budapest Festival Orchestra: ein Fest für Prokofjew

Sebastian Urmoneit, 24th March

Mit dem Dritten stand wohl das bekannteste Klavierkonzert Prokofjews im Mittelpunkt, eingerahmt von zwei glänzenden Orchesterstücken.

****1

Igor Levit brings Beethoven and Rzewski to Carnegie Hall

Kurt Gottschalk, 22nd January

Levit introduced the theme at such a clip that one couldn't help but worry about the marathon of musculature he had in front of him, but he persevered, playing with a precision that was almost alarming.

*****

L’intrigant chant intérieur d’Igor Levit au TCE

Pierre Michel, 9th October

Si le pianiste trouve une sorte d’idéal de beauté intime qui convient très bien à certains aspects de son grand programme romantique, d'autres aspects de son jeu laissent perplexe...

***11

Tremendous energy and engagement from Igor Levit at Wigmore Hall

Patrick Maxwell, 22nd September

Igor Levit brings a well-considered programme of Schubert, Schumann and Chopin to London in a performance of commitment and subtlety.

****1

Bis ins kleinste Detail: Joana Mallwitz und Igor Levit in Berlin

Sebastian Urmoneit, 27th June

Joana Mallwitz malt mit ihrem Konzerthausorchester musikalische Bilder von Haydn, Bartók und Strawinsky.

****1

Percussive Prokofiev and titanic Shostakovich from Levit and Sternath

Mark Pullinger, 4th April

Igor Levit champions his young mentee Lukas Sternath in a joint Wigmore Hall recital culminating in Shostakovich's own transcription of his Tenth Symphony.

****1

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Frances Wilson

A keen concert-goer, Frances is a pianist, piano teacher and blogger on pianism, music and culture.

A journey down the ages: Igor Levit plays Rzewski world première