Götterdämmerung at Seattle Opera is the perfect end to an extraordinary Ring

Por Ilana Walder-Biesanz, 12 agosto 2013

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Crítica hecha desde Marion Oliver McCaw Hall, Seattle el 9 agosto 2013

Wagner, Götterdämmerung

Seattle Opera

Stephen Wadsworth, Dirección de escena

Asher Fisch, Dirección

Luretta Bybee, First Norn

Stephanie Blythe, Waltraute

Margaret Jane Wray, Third Norn

Alwyn Mellor, Brünnhilde

Stefan Vinke, Siegfried

Markus Brück, Gunther

Daniel Sumegi, Hagen

Wendy Bryn Harmer, Gutrune

Richard Paul Fink, Alberich

Jennifer Zetlan, Woglinde

Cecelia Hall, Wellgunde

Renée Tatum, Flosshilde

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Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

Mozart meets Vaudeville in Seattle's silent movie Magic Flute

Erica Miner, 22nd February

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***11

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A world premiere opera about the Fisk Jubilee Singers, the intrepid troupe of African American singers who changed music history.

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Erica Miner, 10th June

Bound tells of a second generation of Asian immigrants, born and raised in the US, their problematic association with their cultural heritage, and the difficulties and challenges they face, bound to their culture but trying to be wholly accepted as American.

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Ilana Walder-Biesanz

Ilana Walder-Biesanz is a product manager for Yahoo, a theatre and opera critic, and a classically trained mezzo-soprano. She explored theater and opera stagings as a Gates Scholar at Cambridge and as a Fulbright Scholar in Germany. She currently writes for Bachtrack, San Francisco Classical Voice, and Stark Insider. Twitter: @ilana_wb.