Eötvös' Senza Sangue: at last, a real partner for Bluebeard's Castle

Por Katherine Syer, 10 noviembre 2016

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Crítica hecha desde Hamburgische Staatsoper: Main Hall, Hamburg el 6 noviembre 2016

Eötvös, Senza sangue (Without Blood)

Bartók, El castillo de Barbazul

Staatsoper Hamburg

Peter Eötvös, Dirección

Dmitri Tcherniakov, Dirección de escena, Diseño de escena

Elena Zaytseva, Diseño de vestuario

Angela Denoke, La Donna

Sergei Leiferkus, L'Uomo

Claudia Mahnke, Judith

Bálint Szabó, Bluebeard

Gleb Filshtinsky, Diseño de iluminación

Johannes Blum, Dramaturgia

Frauenliebe und -sterben: Kratzer’s triple bill at Staatsoper Hamburg

Mengguang Huang, 15th April

Director Tobias Kratzer engineers a haunting pasticcio of Schumann, Bartók and Zemlinsky, tracing the domestic sphere’s shift from romantic surrender to the blood-soaked secrets of a century-spanning house.

****1

Vampires, Disney and Donald Trump: Monster’s Paradise in Hamburg

Kevin W Ng, 1st February

Olga Neuwirth and Elfriede Jelinek take on Donald Trump in their latest operatic collaboration.

****1

Unsuk Chin's opera Die dunkle Seite des Mondes premieres in Hamburg

Mengguang Huang, 31st May

At Staatsoper Hamburg, Unsuk Chin’s new opera The Dark Side of the Moon immerses audiences in an hypnotic, introspective journey, where dreams, science and psyche collide in a rigorously crafted, thought-provoking spectacle.

****1

Franciscan virtues for a modern age: a multimedia Messiaen remix

Peter Quantrill, 2nd June

No half measures in a triple-decker Hamburg staging of Saint François d'Assise at the Elbphilharmonie.

***11

Enfant terrible: Dmitri Tcherniakovs Salome an der Staatsoper Hamburg

Alexandra Richter, 12th November

In Tcherniakovs neuer Inszenierung an der Staatsoper Hamburg ist Asmik Grigorian nach fünf Jahren endlich wieder als Salome zu erleben.

***11

Staatsoper Hamburg's new Boris Godunov traverses Russian history

Alexander Hall, 16th September

Opening the new opera season, Kent Nagano powerfully directs Mussorgsky's great psychodrama about a famous tsar, marred only by Frank Castorf's visually confusing and symbolically overweighted production.

****1

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Katherine Syer

Katherine Syer is a Los Angeles-based writer/editor, public scholar, and dramaturg following a teaching career at the University of Illinois Urbana-Champaign and UCLA