She Said: Female Choreographers find voice

Por Rym Kechacha, 14 abril 2016

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“female choreographers with buckets to say and powerful creative instincts to shout it on the stage”

Crítica hecha desde Sadler's Wells Theatre, Londres el 13 abril 2016

Broken Wings (Annabelle Lopez Ochoa)

M-Dao (Yabin Wang)

Fantastic Beings (Aszure Barton)

English National Ballet

Dance Me de BJM honra la voz de Leonard Cohen

Cintia Borges Carreras, 20th April

La lírica de Leonard Cohen ha traspasado la palabra entonada de sus canciones para ilustrarse en una danza efectista, que narra al poeta y que hace de la luz un actante de la puesta en escena.

***11

Persistente: la triple función del ENB celebra las coreógrafas

Mark Pullinger, 4th April

She Persisted es la continuación de la propuesta del ENB She Said, una función triple con las creaciones de Annabelle López Ochoa, Stina Quagebeur y Pina Bausch.

*****

Las Sílfides, Celeste y Carmen bajo el mismo techo

Eduardo López-Collazo, 23rd September

Las Sílfides, Celeste y Carmen se juntaron bajo el mismo techo para deleite de quienes aman este arte y pocas veces pueden apreciar estilos diferentes con los mismos protagonistas.

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Exciting talents and mixed choreography in Paris Opera Junior Ballet

Vikki Jane Vile, 29th January

Established in 2024, Paris Opera Junior Ballet has been touring extensively since early 2025, with Bonn’s Opera House the latest stop.

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Paris Opera Junior Ballet: a plethora of emerging talent

Deborah Weiss, 19th June

A very welcome visit from the Paris Opera Junior Ballet to the Linbury Theatre displays the company in a very favourable light, in a variety of works.

****1

Queensland Ballet: Behind the ‘rags to riches’ story of Coco Chanel

Ruth Ridgway, 4th October

Coco Chanel: the Life of a Fashion Icon is a visually beautiful work about an unscrupulous character and a great addition to Queensland Ballet's repertoire.

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Rym Kechacha

Rym Kechacha trained at Central School of Ballet and danced with Northern Ballet. She has blogged for Ballet.co, reviewed for DanceTabs and contributed to The Dancing Times and Dance Europe. She also writes fiction, essays and text messages.

She Said: The enduring power of the female voice in dance at ENB