St Matthew Passion with the London Handel Festival

Por Capriccio, 07 abril 2012

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde St George's, Hanover Square, Londres el 6 abril 2012

Bach, Pasión según San Mateo, BWV244

Laurence Cummings, Dirección

London Handel Orchestra

Adrian Butterfield, Leader

Nathan Vale, Evangelista

George Humphreys, Jesús

Anna Devin, Soprano

Emilie Renard, Mezzosoprano

Edward Grint, Bajo

Choir of St George's

A triumphant Esther from Cummings at London Handel Festival

Nick Boston, 14th March

A glorious Esther from Laurence Cummings and the London Handel Singers and Orchestra, with a classy line-up of soloists led by Nardus Williams and Tim Mead.

****1

La Resurrezione brings London Handel Festival to an uplifting close

Nahoko Gotoh, 18th April

On Easter Monday, this year's London Handel Festival came to a close with Handel's youthful oratorio La Resurrezione in the suitably Baroque setting of London's St Martin-in-the-Fields.

****1

Messiah: Reimagined at St George’s, Hanover Square... but not too much

Sandra Bowdler, 5th April

Handel’s Messiah is not too re-imagined, thankfully, with an almost Crystal Palace sized choir although not all singing at once!

****1

JPYA make a decent fist of Handel's Susanna in the Linbury Theatre

Mark Valencia, 5th March

The evening’s most unbuttoned applause was reserved for two native anglophone artists, countertenor Patrick Terry and bass-baritone Michael Mofidian.

***11

Berenice at the Linbury: Handel meets Gilbert and Sullivan

David Karlin, 27th March

Visual eye candy, excellent singing and superb Handelian playing by Laurence Cummings and the London Handel Orchestra are marred by poor diction and limited acting expressivity.

***11

Ariodante at the RCM: in which technique is not enough

David Karlin, 8th March

An impressive display of singing technique isn't enough to make RCM's Ariodante connect with hearts and minds.

**111

Más críticas...

Capriccio

Capriccio is a musician and writer living in London. He has a particular interest in opera and music of the twentieth century and enjoys exploring the obscurer recesses of the repertoire. He blogs here.