St Matthew Passion with the London Handel Festival

Par Capriccio, 07 avril 2012

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Critique faite à St George's, Hanover Square, Londres, le 6 avril 2012

Bach, Passion selon saint Matthieu, BWV244

Laurence Cummings, Direction

London Handel Orchestra

Adrian Butterfield, Leader

Nathan Vale, Évangéliste

George Humphreys, Jésus

Anna Devin, Soprano

Emilie Renard, Mezzo-soprano

Edward Grint, Basse

Choir of St George's

A triumphant Esther from Cummings at London Handel Festival

Nick Boston, 14th March

A glorious Esther from Laurence Cummings and the London Handel Singers and Orchestra, with a classy line-up of soloists led by Nardus Williams and Tim Mead.

****1

La Resurrezione brings London Handel Festival to an uplifting close

Nahoko Gotoh, 18th April

On Easter Monday, this year's London Handel Festival came to a close with Handel's youthful oratorio La Resurrezione in the suitably Baroque setting of London's St Martin-in-the-Fields.

****1

Messiah: Reimagined at St George’s, Hanover Square... but not too much

Sandra Bowdler, 5th April

Handel’s Messiah is not too re-imagined, thankfully, with an almost Crystal Palace sized choir although not all singing at once!

****1

JPYA make a decent fist of Handel's Susanna in the Linbury Theatre

Mark Valencia, 5th March

The evening’s most unbuttoned applause was reserved for two native anglophone artists, countertenor Patrick Terry and bass-baritone Michael Mofidian.

***11

Berenice at the Linbury: Handel meets Gilbert and Sullivan

David Karlin, 27th March

Visual eye candy, excellent singing and superb Handelian playing by Laurence Cummings and the London Handel Orchestra are marred by poor diction and limited acting expressivity.

***11

Ariodante at the RCM: in which technique is not enough

David Karlin, 8th March

An impressive display of singing technique isn't enough to make RCM's Ariodante connect with hearts and minds.

**111

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Capriccio

Capriccio is a musician and writer living in London. He has a particular interest in opera and music of the twentieth century and enjoys exploring the obscurer recesses of the repertoire. He blogs here.