A heroic attempt: the CBSO YO tackles Mahler’s Fifth in Birmingham

Jac van Steen conducts the CBSO Youth Orchestra

Jhih-Yi Chang (horn) and the CBSO YO

Jordan Ashman and the CBSO YO

Por Simon Cummings, 19 febrero 2024

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“Jhih-Yi Chang, whose horn solos were consistently excellent throughout the Scherzo”

Crítica hecha desde Symphony Hall, Birmingham el 18 febrero 2024

Honstein, Juvenalia

Mahler, Sinfonía núm. 5 en do sostenido menor

Jac van Steen, Dirección

Jordan Ashman, Percusión

CBSO Youth Orchestra

Volatility unites music by Elgar, Strauss and Takemitsu in Birmingham

Simon Cummings, 23rd February

The CBSO Youth Orchestra under Kazuki Yamada find connections in three works inhabiting very different worlds.

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Just like 1913: CBSO YO taps into the shock of The Rite of Spring

Simon Cummings, 3rd November

The CBSO Youth Orchestra under Andrew Gourlay both succumb to and transcend imperfections in their performances of Prokofiev and Stravinsky.

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Gražinytė-Tyla‘s Debussy Festival in Birmingham

Mark Pullinger, 25th March

With concerts and recitals imaginatively programmed, this second weekend in the CBSO's Debussy Festival was a model of how to make classical music accessible to the widest possible audience.

Energetic evening from the CBSO Youth Orchestra

Katherine Dixson, 22nd February

Exuberant enthusiasm from the CBSO Youth Orchestra in a mighty programme of Lutosławski, Prokofiev and Mahler.

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UK première of Turnage's Passchendaele

Katherine Dixson, 2nd November

Mark-Anthony Turnage's Passchendaele, his WWI-themed piece, received its UK première this evening, in a concert given by the CBSO Youth Orchestra.

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Hands-down winners: CBSO Youth Orchestra and Bavouzet triumph in Mahler and Ravel

Katherine Dixson, 24th February

Judging by this evening’s performance, the future of music-making in Birmingham is in safe hands. Following an intensive half-term week’s training, including sectional coaching by musicians from the parent orchestra, 100 eager and accomplished 14- to 21-year-olds brought the Symphony Hall stage to life.

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Simon Cummings

Simon Cummings is a composer, writer and researcher based in the Cotswolds. He composes instrumental and electronic music, exploring aspects of algorithmic composition, and has recently completed a Ph.D. in composition at the Birmingham Conservatoire under the supervision of Richard Causton and Howard Skempton. His musical tastes are ludicrously broad but are focused most on contemporary/avant-garde classical and electronic music. When not composing, he writes regularly about new music; Simon is the author of the contemporary music blog 5:4 (5against4.com), and regularly contributes articles for a variety of books, journals and websites. Follow him on Twitter @5against4.