Tafelmusik’s Choral Spectacular: A 30-Year Celebration in Toronto

Por Daniel Frasca , 30 marzo 2012

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Crítica hecha desde George Weston Recital Hall, Toronto el 27 marzo 2012

Bach, Bringet dem Herrn Ehre seines Namens - Cantata, BWV148

Martin, Mass for double choir: Gloria

Poulenc, Quatre motets pour un temps de pénitence, FP 97: Tristis est anima mea

Charpentier, Motet pour les trépassés, H.311: Miseremini mei: Plainte des âmes du purgatoire

Gesualdo, O vos omnes

Tavener, As One who has Slept

Bach, Jesu, nun sei gepreiset - Cantata, BWV41

Rameau, Les Indes Galantes: Danse du grand calumet de la paix

Rolfe, Garden

Rameau, Les Indes galantes: Tendre Amour

Handel, Parnasso in festa: Non tardate

Lauridsen, Les chansons des roses: La rose complete

Poulenc, Sept Chansons, FP 81 (Belle et ressemblante and A peine defiguree)

Whitacre, Water night

Handel, Parnasso in festa (Cantiam a Bacco)

Bach, Singet dem Herrn ein neues Lied - Cantata, BWV190

Tafelmusik Chamber Choir

Tafelmusik Baroque Orchestra

Opera Atelier's long delayed La resurrezione

John Gilks, 6th April

The young Handel's homage to Counter Reformation Rome, La resurrezione, is effectively brought to life by Opera Atelier with glittering sets and fine, stylish singing.

****1

Traumreise und Reisetraum: Torontos Tafelmusik auf barockem Roadtrip

Jens Klier, 8th April

Eine makellose Führung zu den Stadt- und Komponisten-Schätzen in Europa sortge erneut für bleibende Eindrücke und enthusiastische Erzählungen.

*****

Musik im Aufbruch: Il Seicento vom Tafelmusik Baroque Orchestra

Jens Klier, 18th February

Wer bei diesem frühbarocken Programm und der Energie des Ensembles nicht mittanzt und genießt, dem ist nicht mehr zu helfen. Große Freude, purer Wahnsinn!

*****

A celebration of French Baroque opera-ballet at Versailles

Laura Servidei, 2nd December

Opera Atelier presents a double bill at the Royal Opera in Versailles filled with Baroque dancing, scenery and music.

***11

Tafelmusik: House of Dreams

Simon Hukin, 26th February

Bringing together disparate art forms is no easy task, as Tafelmusik's latest concert House of Dreams sadly proves.

**111

High-concept Handel can't obscure spectacular singing

Catherine Kustanczy, 23rd October

Opera Atelier’s latest production mixes traditional-specific touches the company is known for, and more high-concept inclusions. The results are mixed — but the singing is spectacular.

**111

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Daniel Frasca

Daniel is currently in the University of Toronto Faculty of Music’s Concurrent Teacher Education Program. His musical journey began on piano at 3. Since then he has studied and performed on trumpet, trombone, euphonium, and guitar.