Two wins out of three: Julian Anderson's Thebans at ENO

Por David Karlin, 04 mayo 2014

Descargando, espere, por favor...

Ver la programación

“Hoare commands proceedings both with gesture and stage movement with a strong, flexible tenor voice”

Crítica hecha desde The London Coliseum, Londres el 3 mayo 2014

Anderson, Thebans (world première)

English National Opera

Edward Gardner, Dirección

Pierre Audi, Dirección de escena

Tom Pye, Diseño de escena

Roland Wood, Oedipus

Julia Sporsén, Antigone

Matthew Best, Tiresias

Susan Bickley, Jocasta

Christopher Ainslie, Messenger

Anthony Gregory, Haemon

Jonathan McGovern, Polynices

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

Más críticas...

David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.