Dodging the executioner’s axe: Șerban’s Turandot returns

Turandot Act 3

SeokJong Baek (Calaf) and dancers

Turandot

Hansung Yoo (Ping), Michael Gibson (Pong) and Aled Hall (Pang)

Sondra Radvanovsky (Turandot)

Sondra Radvanovsky (Turandot), SeokJong Baek (Calaf) and Paul Hopwood (Altoum)

Por Mark Pullinger, 20 marzo 2025

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“who doesn’t just use his tenor as an offensive weapon to bludgeon Turandot into submission”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 19 marzo 2025

Puccini, Turandot

The Royal Opera

Rafael Payare, Dirección

Andrei Șerban, Dirección de escena

Sally Jacobs, Diseño de escena, Diseño de vestuario

F Mitchell Dana, Diseño de iluminación

Orchestra of the Royal Opera House Covent Garden

Royal Opera Chorus

Sondra Radvanovsky, Turandot

SeokJong Baek, Calaf

Anna Princeva, Liù

Adam Palka, Timur

Paul Hopwood, Emperor Altoum

Hansung Yoo, Ping

Aled Hall, Pang

Michael Gibson, Pong

Ossian Huskinson, Mandarin

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Dodging the executioner’s axe: Andrei Șerban’s Turandot returns to The Royal Opera