Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Adam Palka

Un segundo reparto muy solvente encabezado por Ismael Jordi dieron vida a la propuesta escénica de Alex Ollé en una nueva producción en el Teatro Real de la ópera de Gounod Faust.

Sergej Newskis Neukomposition wird mit Mussorgskys Oper in einer effektvollen Produktion verwoben.

Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

Cast changes and a revival director who sharpens up the action make all the difference to this revival of Rossini's *Barber of Seville* in Glyndebourne's opening weekend. 

Despite a great cast led by Marina Rebeka, La Fura dels Baus's unambitious approach to the myth of Faust and Dan Ettinger's noisy conducting prevent a brighter season opening at the Teatro Real.

Plasson shows all his experience; Lavaudant surprises and delights with his direction; a strong cast sing their hearts out. Who can ask for more?

A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.

Mit Luisa Miller betrat Verdi die letzte Stufe zur Meisterschaft. Stuttgart hat jüngst eine ältere Produktion wieder aufgenommen, die in ihrer Klarheit und Ausdrucksstärke beeindruckt.