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Victoria: Northern Ballet delivers intriguing history lesson at Sadler's Wells

Por Mark Pullinger, 30 marzo 2019
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“Pippa Moore’s Beatrice is an observer rather than a protagonist, yet she constantly draws the eye”
Crítica hecha desde Sadler's Wells Theatre, Londres el 29 marzo 2019
Programa
Victoria (Cathy Marston)
Intérpretes
Northern Ballet
Jonathan Lo, Dirección
Steffen Aarfing, Diseño de escena, Diseño de vestuario
Abigail Prudames, Bailarín
Pippa Moore, Bailarín
Mika Akuta, Bailarín
Joseph Taylor, Bailarín
Mlindie Kulashe, Bailarín
Sean Bates, Bailarín
Alastair West, Diseño de iluminación
Northern Ballet Sinfonia
Más críticas de Danza
The Royal Ballet in Perspectives: a diverse and challenging triple
Amanda Jennings, 14th November
The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.
****1
Northern Ballet’s Jane Eyre: worthy of repeated viewings
Graham Watts, 22nd May
A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.
****1
The Royal Ballet: Anemoi/The Cellist a well-balanced double bill
Graham Watts, 20th October
The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 
****1
Trilogy: a brilliantly diverse triple bill
Ruth Ridgway, 16th June
Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.
****1
Ballett Zürich: Cathy Marston's The Cellist brings love and despair
Maggie Foyer, 30th April
Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense. 
****1
An expressive showcase: Northern Ballet's Contemporary Cuts
Graham Watts, 11th June
Northern Ballet demonstrate a range of qualities in a rich mix of contemporary work.
***11
Más críticas...
Leer críticas de
Abigail PrudamesAlastair WestCathy MarstonJonathan LoJoseph TaylorMlindie KulasheNorthern BalletNorthern Ballet SinfoniaPhilip FeeneySean BatesSteffen Aarfing
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Mark Pullinger
Mark Pullinger
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.