Fin de siècle masterworks from Karina Canellakis and the BRSO

Por Zoltán Szabó, 30 noviembre 2020

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“with her finely tuned technique, Canellakis cut an imposing figure”

Crítica hecha desde Philharmonie im Gasteig, Múnich el 27 noviembre 2020

Strauss R., Serenata para instrumentos de viento en mi bemol mayor, Op.7

Strauss R., 4 Orchestral songs, Op.27

Schönberg, Verklärte Nacht (Noche transfigurada), Op.4

Camilla Nylund, Soprano

Symphonieorchester des Bayerischen Rundfunks

Karina Canellakis, Dirección

Simon Rattle y la BRSO ofrecen un dechado sinfónico en Ibermúsica

Leonardo Mattana Ereño, 20th November

La BRSO, una de las mejores formaciones a nivel mundial, ofreció una velada que no será fácil de olvidar.

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Erhebender Tanz der Töne: Bartók mit Vilde Frang und dem BRSO

Benedikt Zacher, 26th February

Die norwegische Ausnahmegeigerin verzaubert mit Bartóks Zweiten Violinkonzert das Münchner Publikum.

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Wohl komponiert: Håkan Hardenberger und Andris Nelsons mit dem BRSO

Benedikt Zacher, 7th December

Unaufgeregt, hochmusikalisch, bescheiden: die Weltklasse-Musiker begeistern in der Isarphilharmonie.

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L'hymne à la vie de Rattle avec l'Orchestre de la radio bavaroise

Emmanuel Gaillard, 14th November

La phalange munichoise et son directeur musical ont proposé une interprétation mémorable de la Symphonie n° 2 de Schumann et de L'Oiseau de feu de Stravinsky au lendemain des commémorations des attentats du 13 novembre 2015.

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Vivid Janáček and flowing Bruckner from Rattle and the BRSO

Roy Westbrook, 12th November

The Bavarian Radio Symphony Orchestra conclude the UK leg of their European tour at the Barbican, pairing Janáček’s Taras Bulba with Bruckner's Seventh Symphony.

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Sir Simon Rattle opens the Bavarian RSO tour on his home turf

Rohan Shotton, 10th November

Sir Simon Rattle returns to Liverpool to conduct his new orchestra, the Bavarian Radio Symphony Orchestra, in Schumann and Stravinsky.

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.