En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Serenata para instrumentos de viento en mi bemol mayor, Op.7

La Sinfónica de Galicia con Dima Slobodeniouk en la dirección llevaron un programa con Strauss, Grieg y Beethoven a pequeñas localidades de Galicia.

No fue una noche exitosa para Portal ni para la orquesta. Desde la primera obra escuchamos una orquesta dirigida inapropiadamente

Hans Graf and the Singapore Symphony Orchestra's evening of Richard Strauss showcases the German Romantic's enormous emotional range.

Nelsons, in his “Paths of Romanticism” series, has chosen programs that can be played by a small chamber group made up some of the world’s finest musicians.

There was a delicious chocolate-colored texture to the low bass akin to what Great British Bake-Off aficionados would recognize as the foundation of a great Sachertorte.

En direct sur sa chaîne YouTube, l'orchestre lillois montre sous la direction du hautboïste François Leleux qu'il n'a rien perdu de sa superbe malgré deux confinements.

Karina Canellakis steps in for Esa-Pekka Salonen to make an accomplished debut in Munich. 

Contrasts abounding in serenades by Mozart and Strauss. 

Zukerman, master of the violin, viola and baton, displayed his many creative capabilities with panache this weekend with the San Diego Symphony.

With so much of the chamber repertoire focused on strings and piano, it was a refreshing choice by the Chamber Music Society of Lincoln Center to open their season with some of the great works for winds.

This was a moving evening of relatively underrated, large-scale late romantic music, moving from Strauss’ youthful charm to the wistful eloquence of the mature Elgar.Assistant Conductor Andrew Gourlay directed Richard Strauss’ Serenade in E flat for thirteen wind instruments with closely controlled expressiveness.

Edo de Waart, Music Director and Chief Conductor of the Hong Kong Philharmonic Orchestra, chose for his contribution to the 2011 Arts Festival works by two Germanic composers spanning the late Romantic and early modern periods who were almost exact contemporaries. Richard Strauss coincidentally was born seven years before and died seven years after Alexander von Zemlinsky.