Philippe Herreweghe conducts an energetic Mozart Requiem in Antwerp

Por Edward Sava-Segal, 08 mayo 2021

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Crítica hecha desde Queen Elisabeth Hall, Amberes el 7 mayo 2021

Mozart, Réquiem en re menor, K626 (compl. Süssmayr)

Katharina Konradi, Soprano

Sophie Harmsen, Mezzosoprano

Ilker Arcayürek, Tenor

Mikhail Timoshenko, Bajo

Collegium Vocale Gent

Antwerp Symphony Orchestra

Philippe Herreweghe, Dirección

Antwerp Symphony opens season with magical Weber and exciting Schumann

Simon Thompson, 11th October

Philippe Herreweghe conducts Marie-Elisabeth Hecker in Schumann’s Cello Concerto in this fine programme in the Concertgebouw Brugge.

****1

Brilliant Szymanowski from Christian Tetzlaff and the Antwerp SO

Marc Haegeman, 9th January

Christian Tetzlaff conjures brilliant colour and ecstatic passion from Szymanowski's First Violin concerto in Ghent.

***11

Philippe Herreweghe et le Collegium Vocale Gent font frémir Bozar

Valentin Gautron Lavarone, 27th April

À la tête de l'Antwerp Symphony Orchestra et d'un formidable Collegium Vocale Gent, Philippe Herreweghe propose un Requiem de Verdi orageux et passionné malgré un inégal quatuor de solistes.

****1

Speaking truth to power: Jaap van Zweden conducts Shostakovich

Eleanor Knight, 21st April

In a brilliant performance of the "Leningrad" Symphony, Jaap van Zweden proved that great music knows no cultural borders.

*****

Elder and Elgar: riveting Enigma Variations from Sir Mark in Antwerp

Cameron Kelsall, 14th May

Mezzo-soprano Stephanie d'Oustrac also met the dramatic and musical challenges of Berlioz's Les Nuits d’été.

*****

Jaap van Zweden welcomed back in Antwerp

Zoltán Szabó, 12th February

The Dutch conductor returns to his old orchestra for a concert stream of Beethoven, with Nicholas Angelich, and Tchaikovsky.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.