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Performer: Katharina Konradi

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LondonArcangelo, Jonathan Cohen, Katharina Konradi

Wigmore Hall
Scarlatti, Valentini, Handel, Stradella, Corelli
Jonathan Cohen; Arcangelo; Katharina Konradi

BambergNew Year's Eve Concert with Manfred Honeck

Strauss II, Strauss, Suppé, Lehár
Bamberg Symphony; Manfred Honeck; Katharina Konradi

ViennaChristmas in Vienna

Claire Levacher; Wiener Singakademie; Wiener Sängerknaben; BartolomeyBittmann; Matthias Bartolomey
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MunichDaniel Harding conducts Mahler

Mahler: Symphony no. 2 in C minor 'Resurrection'
Bavarian Radio Symphony Orchestra; Daniel Harding; Katharina Konradi; Okka von der Damerau; Bavarian Radio Symphony Choir

LudwigsburgHaydn – The Creation

Haydn: The Creation (Die Schöpfung), Hob XXI:2
Hans-Christoph Rademann; Katharina Konradi; Julian Habermann; Tobias Berndt; Gaechinger Cantorey
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Magical Mendelssohn from Järvi and the Tonhalle in Zurich

Isserlis makes the most convincing case you could imagine for Schumann, while Järvi and his orchestra have a great time in Mendelssohn
****1
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Philippe Herreweghe conducts an energetic Mozart Requiem in Antwerp

Despite distancing, the members of Collegium Vocale Gent filled the Queen Elisabeth Hall with an impressively cohesive sound, transparent and powerful at the same time. 
****1
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Tobias Kratzer's provocative Tannhäuser opens at Bayreuth

Yesterday, the Bayreuth Festspielhaus, where devotees of Richard Wagner converge annually from all over the world, opened its doors again for this year’s festival. Traditionally presented on the first evening, the new production for this season was Tannhäuser und der Sängerkrieg auf Wartburg (to use the opera’s full name), presented to a capacity audience.
***11
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Pathos and wonder: A superb Elijah oratorio in Zurich

Under conductor Thomas Hengelbrock, the Tonhalle Orchester ensemble and 60-voice configuration of the Balthasar Neumann Choir perform the legendary Elijah oratorio at Zurich’s Tonhalle Maag.
*****
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Vergänglichkeit und Kitsch: Koskys neuer Rosenkavalier in München

In der Neuinszenierung überzeugt vor allem die Optik und Marlis Petersen liefert ein fulminantes Rollendebüt ab; allerdings bleiben an diesem digitalen Premierenabend durchaus Wünsche offen.

***11
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Szenen einer Ehe: Thomas Hengelbrock bei der Salzburger Mozartwoche

Das Balthasar-Neumann-Ensemble und Katahrina Konradi ließen den vollmundigen Geschmack von Empfindsamkeit und jungem wie spätem Feuer der Leidenschaft auf Zunge und Herz zergehen.
*****
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